There is a real beauty in the struggle of worship, carved out of ritual and performed exactingly. It indicates the path we all take, religious or not, in keeping up with the daily mundane of up and out and down and up to work and home and back. Why do move as we do? What do we do with our time? And most importantly, is it being well spent?
In religious fervor, we work for the purpose of an idea we will never hold. Why? For something never seen, a gesture never to be returned in any way we can record and broadcast and say “HEY” at the top of your lungs to the world “THIS IS WHY IT’S SO IMPORTANT.”
Two examples of work in ritual.
And then a small personal note.
____________
At the bottom edge of the Richmand District among pastel colored surburban homes, there is a church of international worship. On Fridays, scattered patrons from all over the city sit in silence for 30 minutes. I came early. It was a still room. Even as the keepers of the space clanked down rows of chairs and chatted lightly, the silence seemed to vibrate between every sound. A wood panel painting of a many armed Hindu Goddess sprawled across the back wall. Black and white pictures of kind faced budavista hung on the walls. My socks slid soft on the hard wood floor and I closed my eyes, breathed in and waited for the room to fill.
we do some light mediation first here, right.
Ummm…
am I supposed to guide you…because I swear
it’s really not that hard.”
we had started.”
It started with body scans. Each body part was isolated, sensation felt there and there alone. Pain comes and goes with nothing but a notice. And inch develops and, if possible, you regard it as a curiosity, let it grow and shrink of it’s own accord.
“Let go of sensation,” he tells us in a low voice.
“Allow your mind focus just on being. Let everything pass.
If you find yourself wandering, come back to your breathe without the slightest judgment.
Come back to your body and breathe until that too came be released.”
I let out nice wet sneeze about half way through, though I was proud at least feeling it come. It was not unlike the rush after a bite of horseradish. Except instead of making strange faces or grabbing someone else water, you are dedicated to letting the uncomfortable rush take you without response and without force. And then, try for five minutes just letting your mind not wander somewhere. In a room without movement, without sound, without thought, we worked.
____________
Sunday morning. I am in the Fillmore. The oldest of the prodomately black neighborhoods in San Francisco. Through the mid 40s and early 50s, it was host to dozens of night clubs and hosted all of the major jazz artist of the day. The blossoming of this musical community has been likened to the Harlem Renissance, thus earning it the title “Harlem of the west.” After mass migration to outskirts of the city after World War II, the neighborhood gradually fell into eccnomic hard times. It was delt a death blow in 1953, when the first of many houses within the neighborhood was torn down as part of the 1949 Housing Act. In 2000 the San Francisco Redevelopment agency, in an attempt to revitalize the neighborhood, designated the old Fillmore Jass Presercation Distict and cleaned up lower Fillmore street, planting trees and repaving it with sidewalk tributes to it’s forgotten past.
I am in the Church of the Saint John Coltraine, a recent arrival in the neighborhood. In simple white walled room, a jazz quartet is warming up. The drummer leans back against the window and stare out into the street.
“Cold out there today.” He says.
“Dark.”
In center stage, his back to the audence, the saxiphonist in white linen, takes his lips from the reed and smiles.
“That’s fine. We just have to bring it out ourselves.”
The launch into a beautiful uptempo rendition of “I want to talk about you.” More musican join, setup and join in as the congregation fills. Leaning against the walls there are huge wood panels filled with dark colors and clean lines. They are of Jesus and angels, thick black dreds hanging down their backs, staring straight outward with stong, stoic face. The panel in front, right behind the sax player, is of John Coltrane himself. He is holding a clarinet spitting fire in one hand and scroll in the other. Unfurled it says, “Let all songs be songs sung to God.”
Two tall teenaged sons, an adorable afro-puffed pigtailed daughter and several elders of varying ages come in from the back. They are standing, all together, on stage, bouncing to the start of a new song while still standing some how uniformly tall and straight. The oldest of the group takes to the mic.
“Come on now
you can do beter then that.
If you can’t sing claps your hands.
If you can’t clap stomp you feet.” says the bishop Franzo Wayne King, floating into the front. His long black rope ballows out as he dances. We in the crowd move stiffly, not sure what to do with ourselves. The sax player turns to the side and lets out a familiar wail. Several gather around a second microphone as the pianist holds down a firm low four note beat. In between repetitions, they sing-speak:
“In Jesus’ name”
“In Jesus’ name”
The pianist paints in some high chords, and the sax takes off again pulling every other instrutments in the room along for the ride. Each musican jumps off in there own time, blasting an extactic solo until the room is a wall of clashing notes. The crowd warms, stomping, and swinging as the choir sings full voiced in front. Loose percussions are gradulatly grabbed, at first after permission, soon enough just as soon as the spirt moved. Our hands are in the air. I close my eyes and bang a tambarine against flat of my palm, sweaty now, swinging my head in time. Together with the choir, we chant on the foundation progression of the pianist through the chaos until the music slowly ebbs away, one instrution at a time. The chant becomes a dulls to a low incantation.
“A Love Supreme”
“A Love Supreme”
It was a firey sermon filled with prompts for amens from a hesitant congregation.
“It’s been a hard week yall.
sometimes it’s hard for us to have
compassion to
look to the man slighting you,
slighting the world even,
and praise God still
pray for him
like yourself.
Amen?
You know,
Saint Coltrane said once
we are all on the path to personal
salvation
in the name of
our god.
that all of us a trying in
their own way and I’m sorry
sometime
I have to ask:
Is George Bush trying?”
Lord, what do you think is greatest the commandments.
And we drew laughter from descriptions the smoothness of Christ in answering challengers and not passing judgment all the same. And he made us sit, made us shout in agreement, of the viture of tact and grace when faced with the same pressures. But above all, though, his focus, the sermon’s focus was this:
That you should love God
with your whole heart
your whole soul
mind and body and strength.
that you should love your neighbor as yourself.
On these two, all law and commandments hang.
-Matthew 22:36-40
“John says let all songs be
songs sung to God and let
all expressions be of praise
and thanks
to him.”
____________
Discipline, struggle, and thankfulness. Regardless of where I look for answers and what rituals I observe, these things stand out as the necessary lessons. It will be a hard path. It comes gradule with much practice until at last it is a part of you, as you move on to even greater leasons. And yet, long as the road seems, we must be thankful for every step, taking each one with our all because we know without question they are a part of something both all us and beyond ourselves. With this mind, I write from an airport in Denver, Colorado, going from the perfect sun of Indian summer San Francisco to the deceased fall of Philadelphia. Life has been amazing back in the Sucka Free and the lessons and relationships have been invaluable. Part of me will always be there, and I can’t wait to come back. But for now, it is time go back to the place of my birth and get some discipline. I look forward to sharing the praise from work along with you.
[Dharma Punx - San Francisco Chapter][2650 Fulton St. @ 3rd Ave.]
[Friday @ 7:30]
[Church of the Saint John Coltrane]
[1286 Fillmore Street]
[Sundays @ 12:00]